The photographic works, paintings and sculpture which Capitán brings together under the title 'After the Big Pop' deals with the reality of her practice as a commercial fashion photographer and her consequent reflections on the mass- media, capitalism and consumer culture. Both from the inside and from the outside, Capitán engages with the complex collapse of values that began with the rise of pop art in the 1960s and which were set out most clearly in the writings of the theorist Jean Baudrillard.
This body of work was shown in the shows MEP: 'Busy Living’ and Daelim Museum’s: 'Is it tomorrow yet?'